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Spring 2022

Architecture and design have always strongly informed Silvia Tcherassi’s artistic perspective. As someone who began her professional career in the interior design sphere, her connection to space is an exceptional one. A few years back when searching for the optimal place for brand headquarters in Miami, she arrived upon a stunning spectacle of a location on the second floor of a building in Coral Gables. The noteworthy contrast of geometric volumes in the exteriors, striking mosaics with a degradé effect and theatrical floating columns in the lobby immediately caught her masterful eye. It came as no surprise that the structure was the labor of American Postmodern architect Morris Lapidus in the late sixties. Silvia had first come in contact with Lapidus’ work in her early childhood, spending family vacations in the Hotel DiLido in South Beach—one of his most memorable projects along with the Fountainebleau and the Eden Roc. Making the newfound treasure the creative and operational dwellings for the brand seemed like a natural choice.

A woman stands in a brightly lit doorway, wearing a strapless dress with orange and lavender hues. The dress features a large bow at the back and a ruffled hem. She poses with one hand on the doorframe and wears pink high heels.
A woman stands in a brightly lit space wearing a sleeveless orange and purple gradient dress with a high slit. She poses with one hand on her hip. Strappy orange sandals complete the outfit.

For the constant creator, surroundings provide inexhaustible inspiration, and two years later, Silvia’s entire Spring-Summer 2022 collection was conceived and developed in this locale, drawing on some of the remarkable elements of the building as well as others of the architect’s authorship. The outcome is a thoroughly modern one with the presence of classical components similar to those of the MiMo (Miami Modernisn) movement, where stylistic conventions, chronologies, or geographies are expertly blended—not at all different to Tcherassi’s own creative tendencies. Cut-outs and exposed shoulders evoke Lapidus’ explorations with circular shapes and stand out in a surprising color palette that echo the jewel-toned hanging glass lamps he also designed. Some of the prints pay homage to the characteristic waves present in his buildings and the black-and-white floors over his iconic Lincoln Road project. Intricate details in the clothing and accessories honor his perfect balance of tasteful flamboyance and bring back his famously celebrated line: Too much is never enough.

A woman wearing a long, yellow gown with white floral patterns stands in a minimalistic white room, leaning against a frame with one hand. The dress has a fitted bodice and flowy skirt, creating a striking silhouette against the bright background.
A person stands in a doorway wearing a long, yellow off-the-shoulder dress with a gathered design. The background is bright and white, creating a stark contrast with the dark floor. The person's hair is styled back.
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A person stands in a bright doorway wearing a colorful, flowing dress with abstract patterns in orange, pink, and yellow hues. They have purple high-heeled shoes and are posing in a minimalist space with a concrete floor.
A woman stands in a well-lit doorway wearing a strapless black top, black blazer, and wide-leg pants with a colorful gradient design. She holds a red clutch and wears black heels, with her hair styled in a sleek bun.
A person wears a sleeveless dress with vertical blue, white, and orange stripes. The dress features a wide, textured brown belt and ruffled layers. The person has one arm raised, resting on their head, and stands against a light-colored background.
A woman in a brown outfit and high heels leans against a white wall with a bright light behind her. She is standing in a minimalist setting with her hands in her pockets. The floor is gray, and the lighting creates a strong contrast.
A person with short hair, wearing a white outfit with colorful stripes and high heels, walks through a bright doorway. They carry a small patterned handbag, and the setting has a minimalist aesthetic.
A person is walking in a well-lit, minimalist space. They are wearing a striped shirt with rolled-up sleeves and high-waisted brown shorts with a decorative hem. The individual appears confident and poised.
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A person stands in a doorway, wearing a long, cream-colored dress with floral patterns and long sleeves. They are wearing strappy sandals and are posed with one leg slightly forward. The background is minimal and well-lit.
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A person wearing a long, flowing black-and-white patterned dress stands against a stark white and gray background. The dress features a swirling design and thin shoulder straps. The individual poses gracefully, with one hand gently lifting the dress.
A woman stands in a bright doorway wearing a long black skirt and a white blouse with black patterns. She leans against the door frame with one hand raised. The background is a plain white wall and a dark floor.

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